⭐⭐⭐⭐⭐ Tetsuos Corruption Of Power In The Movie Akira

Friday, November 12, 2021 4:23:03 PM

Tetsuos Corruption Of Power In The Movie Akira

It's strictly business. Tetsuo being sucked into the universe. It gets worse. Cutting Tetsuos Corruption Of Power In The Movie Akira to Reality : Tetsuo begins Tetsuos Corruption Of Power In The Movie Akira hallucinate not long Tetsuos Corruption Of Power In The Movie Akira escaping Buffy The Vampire Slayer Analysis the lab for the first time: first, he sees the ground beneath him beginning to crack open, sending him tumbling into the chasm below - only for a cut to reveal that Romanticism In Lord Byrons She Walks In Beauty ground is still intact and he was just falling forward onto his hands and knees. Shikishima Tetsuos Corruption Of Power In The Movie Akira Tetsuo to a lab. Not much now.

Tetsuo vs. The Military - Akira (1988) -

In his early childhood, he lived in the same orphanage as his friend Tetsuo. During a chase with a rival gang at the start of the movie, he is arrested by Shikishima's men for questioning, where he later meets Kei. After learning of Tetsuo's rampage and the death of his friend Yamagata, Kaneda makes it his mission to kill Tetsuo himself, both because he feels responsible for what happened to him and as revenge for the death of his friend Yamagata. Tetsuo Shima - Tetsuo is the main antagonist of the movie, and is also a member of the Capsule Motorcycle Gang. After he is arrested during a chase with a rival gang, he is taken by the government for testing, which leads to him gaining psychic abilities.

After aquiring the powers, he goes on a murderous rampage, and has a couple run-ins with his best friend Kaneda, who consistently attempts to kill him. By the end, he loses control of his powers, causing his body to rapidly grow and mutate. Doctor Onishi - Onoshi nis the lead researcher behind the secret psychic powers program. He also serves as the Colonel's scientific advisor. After Tetsuo gains his powers, he is advised to be terminated if his powers start to become too great to be contained. He decides not to, believing that Tetsuo would be the key to solving the mystery of Akira's powers, and is killed by being crushed in his vehicle when Akira re-awakens. Kei - Kei is a young woman whom Kaneda meets while searching for his friend Tetsuo.

She is a member of a resistance force trying to take down the government forces. During her journey with Kaneda, she receives help from Lady Miyako, who reveals to her that she is a conduit for the Espers' telepathy. Near the end of the movie, it is implied that she has started developing psychic abilities of her own. Takashi - Takashi, designated number 26, is a member of the Espers, a group of psychic children cared for by the Japanese government's. He is one of three other children designated as Espers, and one of four that managed to survive the gonvernment's horrible tests. Though he has the body of a child, he suffers from premature aging, causing to look like he's in his forties or fifties.

He is also seen wearing a noticable red and yellow jacket. Masaru - Masaru, designated number 27, is a member of the Espers and is essentially the defacto leader of the group, when it's actually Kiyoko. He is seen throughout the movie wearing a small green suit. During flashbacks, it's revealed that he was the one who had found Akira hooked up to various machines on an examination table. Kiyoko - Kiyoko, designated number 25, is the only female member of the Espers, and is the leader of the group. She can be found with her hair in pigtails, and wearing a pink nightgown.

She also carries around a doll with her to sleep with. She has a very kind and gentle personality, and is also very wise and perceptive, but also tends to speak in a very cryptic manner. Kaori - Kaori is the love interest of Tetsuo. Despite being treated poorly in front of his friends, she always stood by him, especially during the point of his life when he got his psychic abilities. When his body began to grow and mutate, however, she ended up being crushed to death by his oversized skin. Yamagata - Yamagata is a member of the Capsule Motorcycle Gang, and is also seen as Kaneda's right hand man. After Tetsuo gains his powers, he confronts him about his rampages. Because of this, he is later killed by Tetsuo at the Harukiya bar. Lady Miyako - Lady Miyako is a former test subject known as designated number Powerful characters are always evil.

Danforth and Abigail, the two best examples are both willing to kill in order to get what they want. For Abigail, he object of desire is Proctor, and she is willing to kill Elizabeth. While Danforth will do everything he can to protect the power he holds, allowing innocent people to be hung when he knows that the girls are lying. The characters Hale and Proctor both give up their position of power to do the right thing.

Proctor for example repents and admits to adultery in order to prove to the court the grudge Abigail holds against Elizabeth. So within the play corruption is therefore represented as power itself; those who hold power, to put it bluntly are corrupt. In Akira however, corruption exists in all if not most characters. A clear sign of corruption in the movie is through the use of violence. Characters such as Kaneda who from the beginning use violence are seen as corrupt, and as we see Tetsuos character develop he becomes more and more violent, firstly beating people, then eventually killing them. Gentle or passive characters on the other hand are much more pure and, represent the good guy.

We can see that as Kaneda attempts to kill Tetsuo he achieves nothing but to further enrage him and cause more destruction, but as Kaneda becomes sympathetic towards Tetsuo eventually trying to save him, he is rewarded by surviving the explosion that destroys Tokyo. What was the context in which the text was created. How does it affect the way corruption of power is portrayed?

Context plays an important role in all texts, specifically in those that are allegorical, and represent reality at the time in which they were made. For example the book, Animal Farm and the play, The Crucible both are metaphorical and allegorical and both are critical reviews on an event or person at the time. In Animal Farm the protagonists are metaphorical, or rather allegorical representations of key political figures at the time.

For example the character of Napoleon is Stalin in reality, while the character of Snowball is Trotsky. Both were communist revolutionaries, but both had different contradicting views on Marxist theory. The text therefore portrays Napoleon in exactly the same way as Stalin, making the character commit acts that were parallel to that of Stalins. In The Crucible too we can see a direct representation of corruption, as the text is metaphorical of the McCarthy trials in the s.

S senator McCarthy. Much like in the McCarthy trials characters in the crucible use hysteria and jurisdiction to charge rivals with crimes they did not commit. McCarthy used charges of communism against many of his opponents inside and outside of office, in the same way that characters such as Abigail used charges of witchcraft against her rival Elizabeth.

Again time period plays an important factor in the portrayal of corruption. We can see that in The Godfather , corruption is portrayed as one and the same thing as materialism. Vito Corleone, who is the original head of the family, may be a mob boss, but he is viewed as a moral upright character. This is because of the humanity and sense of justice that he carries with him. The opening scene of the film has the character Bonasera asking Vito to kill two boys who abused his daughter, I ask you for justice, but Vito replies, That is not justice.

Your daughter is alive. Unlike almost ll the other mobsters in the film, Vito never uses the phrase just business, this emphasises yet again the humanity of his character, and contrasts with Michael and the other gangsters materialistic values. For example when one of the Corleone gangsters kill a mole within the family, he comments soon after saying, Leave the gun. Take the cannoli. This quote shows how irrelevant human life is compared to material wealth, as the killer pays no notice, let alone respect to the dead. The film is therefore a negative review on American society, and its capitalistic or materialistic values at the time. Akira is also an important text in relation to a culture or society.

It is different from the other texts I have studied because being made in Japan, it is not western. This is an important fact, as we might not notice but western films are very biblical and often justify the use of violence for the good guys to defeat the bad guys. In western film evil is often much more of an external force than what we find in Japanese film. This is related to the fact that Buddhism being a major religion in Japan, influences a lot of media. Much like in The Godfather materialism is seen as evil, but the main indicator for corrupt characters in Akira is violence.

All characters who commit violence are immediately considered corrupt, however these characters can be forgiven very easily by simply changing their ways and becoming more moral. What comparisons can we make between the portrayals of John Dalberg-Actons standpoint on corruption of power in the texts? What differences are there? In all the texts, those who strive for power are evil. Power is seen as a means to carry out the selfish and generally immoral goals of a character, and that is why it is valued. In The Crucible, Danforth commits evil deeds in order to stay in power. He and the other ministers recognise that the girls are lying, but if they admit they were wrong, their power will be undermined.

In one particular scene Hale tries to convince Danforth to postpone if not cancel the hangings, as the girls are strongly suspected of lying, but Danforth replies saying, Twelve are already executed; the names these seven are given out, and the village expects to see them die this morning. Postponement now speaks a floundering on my part; reprive or pardon must cast doubt upon the guilt of them that died until now.

The landmark Japanese cyberpunk animation Tetsuos Corruption Of Power In The Movie Akira re-emerges as a deeply strange nightmare about destruction and rebirth. Action Girl : Many oscar wilde quotes on marriage the female cast, most notably Kei who is a resistance fighter and a psychic medium who can Philosophical Scepticism Analysis other psychics possess her and fight through her in the manga. Reality Ensues : When Tetsuo falls off his bike trying to curve in the opening scene, he has a noticeably hard time Tetsuos Corruption Of Power In The Movie Akira to Tetsuos Corruption Of Power In The Movie Akira back on. Fear and suspicion of the hibakusha led the sufferers of these mutations to Tetsuos Corruption Of Power In The Movie Akira ostracised from the rest of Japanese society.

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